When they arrive at Hogwarts the first years wait to be sorted by the sorting hat. Harry and Ron are both placed in Griffindor to the delight of the other Weasley children currently attending Hogwarts. The other houses are Slytherin, Ravenclaw and Hufflepuff.
The Masked Marauders - Wikipedia
As the year goes on at Hogwarts Harry and Ron attain a new best friend for life by the name of Hermione Granger and to the end of the year they have to all three face a battle against the dark Lord! Below is the list of things every first year attending Hogwarts must bring just for some extra information.
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Rolling Stone: 50 Years
The Poetry of Seraena. There were over interviews over a four year period. And boy, At some point, very late in the writing process I believe the book was virtually done , Jann Wenner withdrew his support for Joe Hagan's biography. And boy, there was some serious unloading going on in those interviews. Wenner is reportedly upset by the book, calling it "tawdry," which to some extent it is. Hagan seems to have found every nasty story and rumor, and seeded them throughout the book. That said, one has to believe the major reason he's upset is not so much because of the sex and drug stuff lots of that , but because he feels betrayed by these rock gods and his friends who have themselves, for years, felt betrayed or used by Wenner time and again.
But Mick, Paul, Jackson, Art aside, no one was more used than Wenner's long suffering and exotically beautiful ex-wife, Jane. Jane is hardly a saint, but she clearly loved and loves Wenner. She was instrumental in getting the magazine started, and over the years supplied a necessary human touch to counterbalance Jann's various backstabbings both editorial and personal. Her voice in this book adds a balance and depth to the story that Wenner probably didn't anticipate, and certainly would have tried to control if Hagan had allowed him editorial oversight.
There would be no Rolling Stone magazine without Jane.
Even Jann grudgingly admits that. Jane's name is still on the magazine's Masthead. Hagan, despite the trashy and guilty pleasure stuff, keeps his eye on the arc of Rolling Stone Magazine which is basically an extension of Wenner himself , dutifully recording its highs!!! The Rock years, Altamont, Manson, the political shift during the Hunter Thompson years a much shorter period than Thompson's long running appearance on the magazine's Masthead would suggest , Mick, Mick, Mick, right up through the devastating UVA false rape story that so damaged the magazine's reputation.
As I was finishing this book, for curiosity's sake, I went and bought a copy of Rolling Stone. As a reader from the early 70s, it was kind of shocking and definitely sad to see what Rolling Stone is now. It's 58 pages long, and has the dimensions of People Magazine. There's only one real album review!!! The last RS magazine I had bought was over 10 years ago.
I had kept it it has a Bob Dylan interview. It's about pages long, and about a third larger. A big magazine in every way.
You can't help but feel that Wenner's remarkable and remarkably frustrating creation is slowly swirling toward the drain. Hagan's book is a solid, entertaining, funny, and at times numbing account of how Rolling Stone Magazine and Wenner got to that downward spiral. Exhaustive in almost every sense , but luckily it comes with a meticulously detailed index, which enables some necessary skimming once a reader hits whatever part he or she doesn't find that interesting. Because it can't ALL be interesting, even when the subject is Rolling Stone and its impact on culture. Jann Wenner, whose ego was already legendarily huge, says he doesn't like the book -- probably because it dwells too much on his overdue coming-out as a gay man and drug use and betrayals of f Exhaustive in almost every sense , but luckily it comes with a meticulously detailed index, which enables some necessary skimming once a reader hits whatever part he or she doesn't find that interesting.
Jann Wenner, whose ego was already legendarily huge, says he doesn't like the book -- probably because it dwells too much on his overdue coming-out as a gay man and drug use and betrayals of friends, colleagues and other behavior that isn't so flattering. Seems to me author Joe Hagan worked very hard to deliver an honest, good-and-bad biography; if Wenner doesn't like it, then that should be all the endorsement you need.
The Cover of Rolling Stone
I've been a Rolling Stone subscriber since , when I was in eighth grade. Though its breadth and impact are diminished, I still enjoy getting it. Wonder what happens next, now that Wenner is looking to sell it? One more example of the end of everything.
Nov 03, William Kuhn rated it liked it. He was a charming guy. Though I could see he was a larger than life figure, trying to influence me by implying he was closer to Jackie than he was, I liked him. I was grateful for the stuff he told me. He definitely had an influence on her life as an editor. The problem with this biography of Wenner is that it is so relentlessly negative.
I don't really think it's a good idea to write a biography about someone you fundamentally dislike and distrust. I like celebrity gossip as much as the next guy. The constant diet of celebrity news in this book, however, was like having chocolate cake for breakfast, lunch and dinner. It makes you feel a little sick. I have no doubt that the author was passionately devoted to doing his job. Nov 28, Scott Wilson rated it liked it. Hagan gets four stars for the writing itself, which hums such that the pages vibrate under your fingers, turning even when you've decided that you've had enough of Wenner's company for one sitting.
But Hagan's tone is so contemptuous throughout that the tawdriness of his subject and those in orbit around him bleeds into the story. There are moments when the references to Wenner's closeted assignations feel homophobic. And there's a palpable glee in using Wenner's story to tear down figures such Hagan gets four stars for the writing itself, which hums such that the pages vibrate under your fingers, turning even when you've decided that you've had enough of Wenner's company for one sitting.
And there's a palpable glee in using Wenner's story to tear down figures such as Hunter Thompson and Tom Wolfe.
Thompson in angry twilight, Wolfe in smug senescence: equally grotesque, for different reasons, some of which are depicted in broad strokes here. In fact, Sticky Fingers seems built to register just such a complaint, and not only about its vain, shallow, greedy, sometimes downright ignorant subject. The book functions as a deeply withering shadow history of baby boomers and their icons, as united under the big tent of Wenner's Rolling Stone.
Hagan judges virtually the lot of that generation an embarrassing blot on the whole culture, from rock all the way up the political ladder.